when we choose the same words

I remember the oozing, frothing rage I felt at the scraggly neighbor at the annual block party. Or maybe he wasn’t scraggly, necessarily, maybe he was clean-cut and looked like a relatively normal, early 2000s, ex-hippie dad, but he looked scraggly as fuck to six-year old me. He was a stranger. He was a scraggly stranger who, when my sister fell off her bike and cut her hand, knelt down to touch her hand and ask her if she was okay.

We were all riding our bikes around like hooligans, yelling and laughing and having a great time. As soon as she fell, I stopped my bike and moved towards her, but he got there first. He was paying attention. She wasn’t okay. Maybe she was crying. Maybe she was bleeding. He was the closest responsible adult. He wrapped his arms around her tiny shoulders in comfort, attending to her.

I think, to a passerby, it looked like a friendly neighbor was comforting a child because he happened to be in close proximity, and her parents happened to be somewhere else enjoying the gathering. It takes a village. To a passerby, I didn’t exist in that scene, and I didn’t need to. I was just another kid. I was standing far enough away that I was outside the frame.

To me, though, it was a different scene. I was the sister. I was her Protector, and I was failing. I was frozen, rigid with rage, torn between running as fast as I could to pull our parents away from their conversation, and staying to protect my sister from this monster. I watched in horror as this unknown man put his body and hands on my sister. Boiling lava erupted inside me and ravaged my small chest. I didn’t know how to get in between them, so I just yelled “I’m her sister!” when he asked where her family was, hoping that that would somehow communicate to him that she was taken care of, that there was absolutely no need for him to pay any attention to her.

I think he let go when my mom came over to check on the situation. There was absolutely nothing inappropriate about what he did. He was a kind man filling in as a fatherly figure, and nothing more. I didn’t voice my rage to anybody – it made no sense in that scenario. That intense feeling of anger and powerlessness stayed with me, though, and resurfaced in various moments of my life after that.

This was such a vivid experience that I wrote about it a few of years later in my 2004 journal when I was nine years old. I’ll include it here, complete with all the original spelling and grammar mistakes.

Its like that time Maya fell off her bike at the tallent show. She scraped her knee. She was crying and bleeding. A man ran over. He huged her. He kept hugging her. Boiling hot lava bubbled up, I was mad + afraid. I stood there, riged. I stared. Here, was this man, daring to touch my sister when she was hurt. My mom and dad still hadn’t noticed. I ran to them. “Mommy!” I said, Maya fell off her bike!” This man’s Hugging Maya!” I shouted, well, so the man couldn’t hear. “It’s fine, it’s fine,” my mom said. She didn’t know how I felt. My mom ran over to Maya. She took her out of the man’s arms. A lot of the Hotness stopped then, But I still had enough left to glare at him. I don’t think he noticed I was staring at him.

-Siena’s Journal, November 28, 2004

I didn’t look at my original journal entry until after I had written this blog post. I knew it existed, but wanted to wait until after writing my account of what happened to reference my journal. The only thing I got wrong was that Maya cut her knee, not her hand. I think it’s fascinating how my memory of it now differs slightly from my memory of it at nine. How some moments are elongated, some shortened. The things I chose to focus on over others.

The most fascinating aspect, though, is that there are certain words I chose at twenty-seven that are exactly the same as the words I chose at nine:

  • boiling lava
  • crying
  • bleeding
  • rigid
  • man
  • fell off her bike
  • enough
  • mom
  • time
  • sister
  • stopped
  • felt
  • think
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On Clutter

Last Tuesday, I put the endless stacks of sheets into the closet. Finally. I’m resisting editing that sentence, even though I know it’s a bad beginning. It’s really a bad sentence in general. But I’m resisting. I want to try writing this piece all at once, badly, just to get something out.

In November I did my one-blog-post-a-day challenge, and it was so fucking hard but it was so fruitful! By the end of the month, there were thirty pieces, all about different things, all written at varying levels of honesty. Almost all of them had something good hidden in them, a little gem, that I will use later. So that challenge was a success. But the problem with challenges is that when they’re over, you can let yourself off the hook. You can say “alright cool beans. I’m tired now. I’m gonna watch Netflix at night instead of forcing myself to pump out yet another blog post. Yay! Celebration! Sigh of relief!” And then you can lie to yourself and say “I’ll write one blog post a week, instead of once a day…but after I take a little break.”

So five months later, here I am! Back at it. Not doing a daily challenge this time, just writing regularly and putting stuff out there.

Just for the record – and fyi, “the record” is pretty much just my overactive need for approval and recognition, things that I mostly need from myself, that I almost never give myself, yay for therapy – I have been writing almost daily in my journal. The first evidence of journaling I have is from 2001 (I was six). My family went to visit my 20-something aunt in California. I remember feeling a strong urge to write in this sparkly purple journal she gifted me. It was so beautiful, so empty. It was waiting. At least I felt like it was. I wrote about seeing the elephant seals sunning themselves on the rocks by the ocean, my handwriting was big and loopy, and I felt this weird satisfaction from being able to write something down in a little book all my own. I liked that nobody but me would ever see it, so I could write whatever I wanted.

I wrote a year later in that journal that I thought my best friend’s father, Les, was “brainwashing my dad.” I think I had never seen my dad agree with anyone before, and the fact that he was nodding along to what Les was saying was shocking to me. I was genuinely angry and afraid for my dad, and I wrote about those feelings in my journal. A “boiling hot feeling” spread through my body. I thought my dad would lose himself completely if he acknowledged any more of Les’ opinions. It wasn’t that Les’ opinions were scary or wrong. It was that I was terrified seeing my dad accept anyone else’s perspective as valid. It wasn’t normal.

To be fair, I had also just watched the Scooby Doo live action movie where most of the characters get possessed and lose control of their bodies, so the fear of being brainwashed was pretty present in my mind.

Then there was my fourth grade teacher. Mr. Baker saw the writer in me immediately, and made it his mission to nurture that identity. He was a writer, and actually encouraged all of his fourth grade students to keep their own journals, and read pieces to the class. Pretty much all I remember of fourth grade was writing writing writing. Every single day, my best friend Sophia and I would be the last to leave the classroom. We were either the most disorganized, or the least concerned about getting out, or the most chatty, or a combination of all three, and Mr. Baker would ALWAYS send us off with a hearty “don’t forget to write!” Every singled afternoon. It stuck. I’ve kept a consistent journal since fourth grade, without fail. So. Much. Material. So. Many. Ridiculous. Stories. So. Much. Processing. I fucking love it.

And since this was originally supposed to be about clutter, I’ll just quickly describe the clutter around me in my office. I did finally put the linens away in my closet. About 8 months ago, I took them out of the closet to organize them into piles – this piles is the towels, this pile is the winter sheets, this pile is the summer sheets, etc. Very exciting. The problem was, once I organized them, I didn’t have shelves to put them on. There are not shelves in the closet, because my partner and I just haven’t had time yet to build them. So I just put the individual piles on this big white IKEA chair that we got from my parents, and left it at that. It was easy to find each thing, at least, but it was terrible because my office was basically one big linen closet all winter.

Last week I decided enough was enough. I was putting the linens back in the closet, organized, shelves or no shelves.

There’s still clutter, though. In the right corner I have all of our house documents, including our deed and other important things, in a folder waiting to be filed, along with piles of music books, a broom for cleaning the upstairs bathroom, CDs that Chris and I have no intention of listening to, paintbrushes, paints, empty photo albums, empty binders, empty journals, and a collection of old calendars from my middle school years.

In the left corner of my office sits a desk that I found on the side of the road in Vermont and toted back to Rochester. Chris and I painted it this awesome eggplant color, and now it’s covered with art magazines that are “weighing down” a collage I made a couple years ago that got a bit curled from our move. There’s also a huge prickly pear cactus that we repotted recently, thinking it would do it some good to have space, only to find that repotting it was a huge mistake. So now it’s in rehab on the purple desk. Then there’s my little blue paper organizer that holds folders of receipts and checks. It’s kind of teetering on a pile of art magazines, just barely staying up. Then there’s piles of envelopes and stamps, also perched on top of the art magazines, that I use to send poetry to my patrons. Then there’s a pile of paper of various thicknesses and colors that I use for art and poetry. And to top it all off, I have a pile of piano teaching materials sitting on top of the art paper pile.

It’s all very overwhelming once I start writing it down. But the thing is, I’m doing the best I can. I actually keep our house pretty well organized. I actually look around me with a fond amusement. I think it’s delightful how messy and in-use my office is. Eventually I’ll create zones and more shelves and blah blah blah. But for now, this is what it is. This is where I’m at. And that’s okay.

The most important shelf in my office is my journal shelf. I have all of my journals, from 2001 to the present, lined up on that shelf. My history, my healing, my process, my trauma, my experiences, my family, my friends, my pain and joys, my core and my wanderings, everything is in those journals. Most of them look different. Most of them I received as gifts. All of them I love and cherish.

On Flight

Scruffy, angelic white puffs blow in the wind outside my plane window. My sister says it’s an invasive species. It seems ludicrous that something so beautiful could be so violent. We take off, and the white puffs give way to dead grass, then an expanse of grey sky. I’m thinking about elementary school birthday parties in dimly-lit bowling alleys. I can taste the greasy pizza soaking through the paper plates. Huge sheet cakes with frosting so sugary the granules are rough on my tongue. Blue lettering. A barbie with hair that grows when you pull a string.

Now we’re over the ocean, spots of white littering the indigo blue water. I can still see the lines of tiny boxes on the shore, distant now. I’m thinking about how someone once described humans as a parasite, quickly spreading across Earth, taking and digging, extracting all the life out of our host. Sucking her dry. The CDC describes a parasite as “an organism that lives on or in a host organism and gets its food from or at the expense of its host,” so this seems pretty accurate. I wonder if I agree with this image of my species. It’s certainly romantic, but makes my skin feel too tight for my body, especially from up here in this plane, where our parasitic behavior is so clearly laid out for me to see. The Bay, taken over by human dwellings, along with all the necessary dwelling-accessories. Tiny lines, beige against green: roads. Lighter bits bunched together in squares: farmland. Chunks of sun reflected, glinting: office buildings leering up at me.

Now the mountains are below us. They are bare compared to the city we left behind. Strong in their solitude. It’s been awhile, a long moment of just spacing out in the general direction of the horizon, but I haven’t been able to forget the parasite analogy. Will these little pockets of human disease eventually spread to cover the entire surface of the earth? Will the faraway mountains soon be teeming with scurrying people, gardens, rats, parks, highways, restaurants, and chlorinated pools?

In the distance, the mountains have huge wrinkles. Elephants, heavy velvet. These mountains know deep change: they are not static. Constant erosion. Surrender. Receiving. Yielding to the rain that flows down their many faces. They are relinquishing and relenting. I think the mountains must have to fully know themselves to accept such complete and uncontrollable distortion, without protest.

I think about how often I used to yield to people and experiences. When I was 18, the thrill of that surrender was expansive. It felt like a dripping diamond necklace, or a huge, cool lake waiting for me to jump into the deep waters. The thrill was like water, flowing around me, through me. A womb and a river simultaneously. I was at home in surrender. I trusted that I, or something else, something benevolent and good, would pull me out if it got to be too much. If I got too chilled, or too wrinkled.

I didn’t know myself yet. Or maybe I knew myself too much already, and the world would not budge to accommodate my knowing.

The people I surrendered to were not ready for the trust I immersed them in. They were not the rain. Was I the mountain? Was I the rain?

These people submerged me. And I drowned. They told me I couldn’t swim, should not swim. So I stopped swimming. That was part of the yielding, right? I had to yield. To make the complete shift to embody someone else’s experience, I had to leave my own body and experience behind. And so I went still. My limbs atrophied, my mind filled with grotesque images of floating heads and penises, surrounding me in a suspended, tangled mass until I couldn’t breath anymore, and drowned.

What was the yielding, then? Suicide? Or was it just a big misunderstanding? Back then, I assumed that everyone was exactly like me. I saw a face and thought, “behind that face is a deeply-feeling, spectacular spirit that takes in everything, yields to everything, and knows itself fully.” I thought everyone was tapped into the huge, cool lake of it all. I thought each person would automatically wrap us in a warm, fluffy towel if things got to be too much, too cold. I thought they would notice these things. I thought they were like me.

But it was all a big misunderstanding, wasn’t it?

Now we’re moving through the clouds. I’m thinking about all those times as a kid, looking out the airplane window at the clouds and feeling like this is the one true experience. Like everything else in the universe was just a distraction from this moment. Like this white, clumpy, grey, writhing mass was the pure heart of it all. At the time, it felt undeniable. Now, the cloud is over much more quickly than I remember. Now, I watch it giving way to a clear view of Los Angeles below us.

Los Angeles, the parasite to end all parasites. The horrid, flat buildings weighing down the land. The football fields, skyscrapers, palm trees, languid universities, and sad little cars. The water shipped in from Yosemite. The clouds are above us now, back where they belong, suspended in chaotic little puffs. An ominous fog obscures the horizon to my right.

Suddenly, there are large piles of red dirt and tiny scruffs of bush along the runway. White paint sprayed on the pavement to mark our way as the plane lands. Houses in the distance jar me back to the parasite idea. “The parasite carrier touches down onto its host,” I think wryly. First stop down, two to go.

On Rage

quiet rage
beginning to announce
her speechless marriage

sweeping through, screaming
their Names

dancing then, after
only after
only after

May

there is a time to rest

among the soft flowers

[they exist

whether you are there

or not]

Two Truths

Trigger warning: abuse and body image issues.

As I read these two journal entries I wrote 6 years ago, I am reminded of how we can hold so many truths within ourselves at once. How we can be fully in our power, and fully outside of it at the same time. I am especially reminded of the corrosive effect of emotional and physical abuse on a person’s sense of Self and self-worth. How, after consistently being told that one is not hurting enough for the sake of others, even the most vibrant of humans can be diminished to a flickering gloom. When this abuse is paired with sexual violence and constant comparisons to other women in the form of forwarded Victoria Secret ads and pointed remarks, it is very difficult to find a way out of the murk. Add to this the “tortured genius” myth (if a man is an artistic genius, his abuse of others is forgiven – eg Picasso, Woody Allen, James Brown, etc.), and fuck. No wonder I have PTSD, anxiety & depression, and am struggling against dark forces that I wasn’t able to conquer five years ago.

But I can unlearn, relearn, remember, and start sharing my story.

June 21, 2015

In Dosso, Italy. Feel that I have been moody and unpleasant to be around. Feel that I am confining myself in what other people think people should do. Feel that I am literally judging myself for paying attention to these problems because “everyone has them,” which I have translated to “are not important.”

Feel un-stationary and without a purpose, a tumbling rock: not even a floating dandelion seed, because at least he has his mission. Feel deprived of my home, the grass, the lakes, the essence of myself. I am depriving myself of myself. School in the city, travel to Boston, back to school in the city in the fall.

I dislike myself right now.

É molto importante that I regain consciousness: this level of being, this earthy existence, this core of myself.

Feel anxious on each street because I look at other women and only compare myself to them: every inch of skin, each stitch in their clothing, the tightness of their jeans around their thighs. “God, I wish I had bought that style of pant instead of these.” The drape of her wet bikini over her butt: “I should have gotten the string kind instead of the style I have.”

The length of her shirt, the fabric the color her skin her lipstick her hair her knees I wonder how they compare to my knees I am beautiful so hot but look at what I could do with myself. Look how much more beautiful I could look if I just bought her shirt and those shoes and her jacket. Why can’t I wear a blazer over jeans and look clean and pretty and simple like all of them. Why. Why not.

I hate myself.

I hate myself for thinking this way. But I am always thinking this way. How can I improve. How can I look FOR HIM. For him.

He wants a preppy, classy girl.”

He likes workout clothing.”

He wants someone who does not look like me.

Then again. I don’t give a fuck what he wants. I know, rationally, that I am SO INCREDIBLY ATTRACTIVE. I am ideal for many, many people, men and women. I know damn well that there is no man or woman who is “too good” for me, but I am worried that he does not want my look.

I am sick of seeing the gap between the women he admires and lusts after, and me. Thin, clean women. Women who spend hours and hours on their makeup and hair each day. Women that really care about what they look like, and market themselves so that they will be liked, loved, and fought for.

I am not naturally like that.

I am trying so hard, and it sucks. I don’t like the anxiety, never feeling like I am living up to his standards. Non è possible.

I feel horrible. Maybe it’s not that I don’t love him right now, it’s just that I don’t love myself. I need to get back to the music, Vermont, and away from all these FUCKING CITIES.




June 23. 2015
A stream of consciousness:

commitment

determination

passion

necessity

survival

love

passion

creativity

pain

pain

frustration

challenge

success

passion

dedication

form

happiness

truth

truth

relationships

strength

personality

talent

loss

loss

channeling

alone

growth

messed up

improvement

necessity

honesty

truth

difficulty

pain

tight

creativity

I am escaping fragility. I have been actively avoiding the truth – that I cannot thrive without passion, waves of frustration that I can skillfully overcome. I cannot thrive without improving, working on something tangible, mobile, crazy, almost uncontrollable.

I have not lost that from myself. I have just been ignoring it in order to test out other options. I can see now that those options are not going to satisfy me. They will not allow me to carefully balance myself out. I must be creating.

I must be creating.

This is something that everyone around me has known or recognized when they saw me play piano, or write, but which I had to realize for myself when the time came. There is no other time or moment apart from now. They were all right.

I have greatness in me from past lives, and from this life. I have the ability to command, to move people gracefully, to inspire deep hope. I must not deny myself these qualities by hiding them away because they are more intense, and make less sense, than other machine-symbolic-manageable qualities I see in other people.

Mine are not manageable, and that is exactly-precisely-extensively why I need to bring them to the forefront. So that I can contribute something to the world.

I will resolve every day to never lose sight of them again. I resolve to forget how I have pushed them aside these past five years. I will focus only on what the pushing-away has taught me, and how it is the most important thing I’ve ever had to learn. I will, every day, come to know anew why I am doing the things I am doing, and what is the “right” and challenging path.

I will come to know anew why I am great inside, and how I can be more great.

Greatness ≠ control

Greatness = the ability to know yourself well enough to manifest your understanding into a positive contribution to the world


I have always known this. I forgot through high school. I forgot through intimacy with people who did not understand this truth, who did not grasp the power of my talent, understanding, and healing abilities. I may have lost touch with my healing power, but it is not lost. It will never be lost now.

Nothing is going to fall into place easily. Nothing will ever fit together, and if something does, it is only for a fleeting moment. My purpose in this life is not to fit everything together in order to be happy, but to allow chaos to give me peace, relief, power, knowledge, and focus. To allow passion to be my stability.

This is the truth and I will do it.

I must not settle for anything less.

All this time, I have been settling for the easier road, the least resistance, the social status, the smooth normalcy. That will never be enough for me. Home is a state of mind. A state of being. I will never feel at home if I settle for no passion. I can’t.

As soon as I get home I will start playing a Beethoven sonata, and will bring back the Bartok and the Liszt. I will begin a Brahms intermezzo, and maybe a Chopin prelude. And I will learn a Schumann or Debussy.

I have two months still until school. I once learned a piece in two months, then won third place in a competition. I can get to that place again if I watch my posture, do exercises, use passion, and remember that pain and exhaustion will only make me stronger.

Now I understand why he does not need physical touch and love like I do. His passion is invested in his music and writing, and that is how it needs to be for him to make his contribution. People will not be touched because he held his girlfriend in college when she was sad. People will be moved by his music, his words, his ability to capture a thousand feelings into one moment.

They will need him for that. He must not be needed in any other way, just how I cannot be needed in any other way until the right time.

It’s going to be hard, but I’ll choose the right path, not the result. The auditions are in March. I’m not giving up on myself.


Whitman’s Hands

for Chris

There’s something about you that makes my heart hum
With what Whitman calls “life”
What Cummings calls puddle-wonder
and becoming “who you really are”

Something about your eyes, playing stars in your head
Or maybe your hands, rough and large
But it isn’t any Thing at all, really
My heart hums with you
Even if I try to ignore the hum, push it out
I can’t pass this stranger by, this knowing

This love
That does not burn, but rather builds up
That does not consume, but rather grows slow

Curls into the sun like peas, smells sweet like tomatoes
The poets were right: noticing is love
Anguish is love too, but much less full of hum

I am to see to it that I do not lose you.