the first year

The first year that I cut down all the dead kudzu, putting a tarp down to stop the new growth.

The first year that all of our plants are on shelves.

The first year that we only have one plaid couch.

The first year that we have a real living room that I can read in.

The first year that I reread Peter and the Starcatchers and realized that even that book has dangerous patriarchal and misogynist imagery in it.

The first year that I feel capable of living.

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this is how it’s supposed to be

this is how it’s supposed to be.
life is not meant to be easy
it is not meant to have obvious meaning
or to satisfy some colossal curiosity.
Life was never meant to be simple.
Nature isn’t simple.
Humans aren’t simple.
we are here
we exist
even that statement contains
infinite complexity
ordered chaos
disappointments.
this is how it’s supposed to be.

nothing is ours at all

there’s something in the way we
catch at words,
gently tucking them away
into the softest parts of ourselves.

it’s not The Truth
(that so quickly dissolves into
chaos, obeying entropy
over our ornery need for absolutes)

it’s not Comfort
(a myth that seems to
float
always just
out of reach)

it’s more the clinging, quiet
moment in which each of us discovers
how small we are

or, rather, it’s the thousands
of tiny, breathing moments in which
we remember, all of a sudden,
for a fleeting inhalation,
that nothing is ours at all

or, rather, the visceral
stirrings that belong only to us.

we have taken in more than we can bear.
we have held floods.
we have failed to protect ourselves.
we have asked for too much.

this is not a salve, but rather
a snag in the balance,
when the world can’t help
but stop and listen.

On Cafe Daydreams

Character sketches at a cafe in Garmisch, Germany

thin waitress wearing light gold glasses and white shirt, very focused and quiet, not interacting with her coworkers much, except with thin-lipped eye crinkles to show appreciation and respect

woman pushing a stroller wearing jeans and a silvery, mirror-like raincoat that falls down to her knees, covering her arms and shoulders, reflecting the light in rainbow pools

dark blue t-shirt on a tan, blond man with a chiseled face and deep-set eyes

blond woman with light blue jeans, dark sandals, and embroidered pants with a rip in the knee

two women with short hair, severe faces, and biking outfits

heavy lash makeup barista with dark red hair tied up in a high ponytail with a thin silver scrunchy, wearing a dark outfit with white stripes down her pant leg and thick white sneakers

woman on her phone wearing a raspberry-colored wide, long dress and a creamy muslin hijab, thick and sturdy covering her head

wide, built woman wearing jeans and a beige t-shirt with gold dots on the front, holds herself as royalty or great beauty


On Being

it’s okay
it’s okay to let go a little.
it’s okay
it’s okay to feel a lot.

your thin smiles
your spontaneous tears
your exhaustion
your collapse
your cravings for touch

it’s okay.
it’s okay to not be okay.
hope may not be an uncontrollable force,
but a surrender.

On Beauty and Strangeness

Beauty and Strangeness
drop to the sand

come, get the ropes
(who are, after all, not mild
but militant)

I don’t think I am old yet,
half asleep,
not
all at once
but steadily

I know I have already lived



Words found in Mary Oliver’s book of essays Upstream and rearranged to my heart’s content. I found the words, but was careful not to copy any phrases or pairs of words. Each word is its own island set in the fabric of this poem.